Exploration of Practical Information Entry Technique of One-Shot Drum Audio Samples

AUTHORS

Chul-Hee Lee,Kyunghee University, South Korea
Sean Han,Valor International Scholars, South Korea

ABSTRACT

This research gives a compelling strategy on data section of one-shot drum audio samples with a high recurrence of utilization in music creation. One-shot drum audio samples have huge preferences of being utilized quickly in music creation. Be that as it may, users must bear the burden of listening to each and every sample sound source in light of the fact that the data entry method for them has not been created. Accordingly, this study centers around the five most significant sorts of data in the one-shot drum audio sample: length, peak energy frequency, overtones, tapping sounds and transient shapes. This paper uncovered the impacts of these components on sound source and tone. Also, by introducing objective estimation criteria and techniques for evaluating the samples, it was conceivable to make systematic data entry. This provided a more open approach to users to productively oversee and use the samples by entering the figures for each identified component in the media data of the sample music file properties. We hope this study will reduce the working hours of music production drastically, and we hope that the producers who produce audio samples will also use it actively.

 

KEYWORDS

Drum sample, Audio sample, One-shot sample, Music production, Beat making

REFERENCES

[1]     https://www.theguardian.com/music/2009/jun/22/linn-oberheim-drum-machines, July 6, (2020)
[2]     R. Ratcliffe, “A proposed typology of sampled material within electronic dance music,” Journal of Electronic Dance Music Culture, vol.6, no13, pp.99-112, (2014) DOI:10.12801/1947-5403.2014.03.01.06(CrossRef)(Google Scholar)
[3]     J. R. Park, “An analysis method and applications of sound source sampling technique in popular music,” Korea Journal of Popular Music, vol.-, no.19, pp.29-54, (2017)
[4]     P. Edwards, “Concise guide to hip-hop music,” St. Martin's Publishing Group, New York, pp.224, (2015)
[5]     https://splice.com/features/sounds, July 6, (2020)
[6]     H. J. Lim, “Frequency range and level analyze of kick drumin the representative music style genre,” M.S. thesis, Department of Contemporary Media Music, Graduate school of Chugye University for the arts, Seoul, Korea, (2016)
[7]     C. H. Lee, “A study on the characteristics of 808 synth bass for the k-pop music production education,” Korea Journal of Arts Education, vol.16, no.1, pp.93-110, (2018)
[8]     K. P. Naveen Reddy, Y. Geyavalli, D. Sujani, and S. M. Rajesh, “Comparison of programming languages: review,” International Journal of Computer Science & Communication, vol.9, no.2, pp.113-122, (2018)
[9]     https://eyed3.readthedocs.io/en/latest/index.html, August 5, (2020)

CITATION

  • APA:
    Lee,C.H.& Han,S.(2020). Exploration of Practical Information Entry Technique of One-Shot Drum Audio Samples. Journal of Smart Technology Applications, 1(1), 21-28. 10.21742/JSTA.2020.1.1.04
  • Harvard:
    Lee,C.H., Han,S.(2020). "Exploration of Practical Information Entry Technique of One-Shot Drum Audio Samples". Journal of Smart Technology Applications, 1(1), pp.21-28. doi:10.21742/JSTA.2020.1.1.04
  • IEEE:
    [1] C.H.Lee, S.Han, "Exploration of Practical Information Entry Technique of One-Shot Drum Audio Samples". Journal of Smart Technology Applications, vol.1, no.1, pp.21-28, Sep. 2020
  • MLA:
    Lee Chul-Hee and Han Sean. "Exploration of Practical Information Entry Technique of One-Shot Drum Audio Samples". Journal of Smart Technology Applications, vol.1, no.1, Sep. 2020, pp.21-28, doi:10.21742/JSTA.2020.1.1.04

ISSUE INFO

  • Volume 1, No. 1, 2020
  • ISSN(p):0
  • ISSN(e):0
  • Published:Sep. 2020

DOWNLOAD