The Aesthetics of Laughter expressed in the Factor of Blues: Ralph Ellison’s Invisible Man

AUTHORS

Mia Kim,Jeonju University, Jeonju, Korea

ABSTRACT

The exploration of American history and culture lets people encounter the sacrifice and devastation of African Americans. Therefore, lots of African Americans naturally expressed their anger, adversity and ordeal in different forms of art. It is the scar and it has handed down from ancestors to descendents to descendents. As a result, the early African American writers’ literary works were full of that emotion. However, fortunately they had a healing cultural heritance. It was the humor and laughter naturally melted in their music, blues. Blues lets African Americans embrace their pain into this melody and let them erupt it in a different way. This paper will research the meaning of blues and the aesthetics of laughter included in blues through the examination of African American’s culture and life. In addition to it, this research will be proceeded with the analysis of blues factors permeated through the main hero’s laughter in his life journey of Ralph Ellison’s Invisible Man. For the whole process of it, this paper will focus on examining the historical and cultural meaning of blues for African Americans, and the aesthetic factors of laughter melted in Ralph Ellison’s Invisible Man.

 

KEYWORDS

Invisibility, identity, tragic and comic aspects, blues factors, laughter

REFERENCES

[1]    Lock, Alain. Negro Art: Past and Present. New York: Grosset and Dunlap, (1990). p. 91-105.
[2]    Eddy, Beth. The Rites of Identity: The Religious Naturalism and Cultural Criticism of Kenneth Burke and Ralph Ellison. Princeton: Princeton UP, (2003).
[3]    Ford, Karen J. "The Last Quatrain: Gwendolyn and Brook and the Ends of Ballads" Twentieth-Century Literature 56/3 (2010), 166-172.
[4]    Wald, Elijah. The Blues: A Very Short Introduction. New York: Oxford UP, (2010). p.37-42.
[5]    Gates Jr., Henry Louis & Nellie Y. McKay. Eds. The Norton Anthology of African American Literature 2nd edn. W. W. Norton & Company, Inc., (2004).
[6]    Ellison, Ralph. Shadow and Act. New York: Signet Book, (1964). p.247.
[7]    Hurwitt, Elliot S. (Ed.). W.C Handy's Blues: An Anthology: New York. Dover Publication, 2012. p.99-105.
[8]    Longhurst, Brian. Popular Music and Society. 2nd edn. Polity Press, (2007).
[9]    Hassan, Ihab. Radical Innocence: Studies in the Contemporary American Novel. Princeton, N.J.: Princeton UP., (1981).
[10]  Ellison, Ralph. Invisible Man. New York: Vintage Books, (1972).
[11]  Smith, Ayana. "Blues, Criticism and the Signifying Trickster." Popular Music 24/2 (2005), 90-112.

CITATION

  • APA:
    Kim,M.(2019). The Aesthetics of Laughter expressed in the Factor of Blues: Ralph Ellison’s Invisible Man. International Journal of Social Welfare Promotion and Management, 6(2), 13-18. 10.21742/IJSWPM.2019.6.2.03
  • Harvard:
    Kim,M.(2019). "The Aesthetics of Laughter expressed in the Factor of Blues: Ralph Ellison’s Invisible Man". International Journal of Social Welfare Promotion and Management, 6(2), pp.13-18. doi:10.21742/IJSWPM.2019.6.2.03
  • IEEE:
    [1] M.Kim, "The Aesthetics of Laughter expressed in the Factor of Blues: Ralph Ellison’s Invisible Man". International Journal of Social Welfare Promotion and Management, vol.6, no.2, pp.13-18, Jul. 2019
  • MLA:
    Kim Mia. "The Aesthetics of Laughter expressed in the Factor of Blues: Ralph Ellison’s Invisible Man". International Journal of Social Welfare Promotion and Management, vol.6, no.2, Jul. 2019, pp.13-18, doi:10.21742/IJSWPM.2019.6.2.03

ISSUE INFO

  • Volume 6, No. 2, 2019
  • ISSN(p):2205-8435
  • ISSN(e):2207-5321
  • Published:Jul. 2019

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